Hymns in ancient education: an intercultural approach

One of a “kind”? Horace’s construction of literary traditions

His master’s voice? Rhetoric, authority and intratextuality in Tacitus, Annals 14.42–45

Caesarian theatre and the experience of time in the Bellum Africum

“The old man was laughing”: mockery and ridicule in Jerome’s Life of Hilarion

Introduction to Ancient Greek (Level 4)

Signs and Wonders: The Remains of Magical Divination Rituals from the Roman Empire

Intermediate Greek I

Magic, Witchcraft, and Ritual Expertise: Rethinking kišpū in Ancient Mesopotamia

Privately Worshipping the Emperor: Colleges, Identity and Emperor Worship

Latin Set Book

Patterns of Ceramic Production in the Middle Tiber Valley: Evidence from the South Etruria Survey and the Tiber Valley Project

Old Excavations, New Perspectives: Minoan Pithos Burials on the Islet of Afendis Christos (Malia)

Patterns at an angle: Platonic forms and individuality in Plotinus

Two conceptions of virtue in Aristotle’s ethics

Stoic Ψυχή: a word without translation

Reaching Back to Ancient Greece

Revisiting the Ancient Mediterranean World at the British Museum: Making Byzantium: Challenges and opportunities for display

New research in Neo-Latin literature

Greek Tragedy Upside Down: Electra and Medea Through the Lenses of Contemporary Queer and Feminist Theory

Competing for Olive Oil at the Games of a Warrior Goddess: Sport in Democratic Athens

Death of the Other, Loss of the Self: A Butlerian reading of Catullus’ Final ave atque Vale

Revisiting the Ancient Mediterranean World at the British Museum: Campanian identities on display

Creative Borrowings? Hölderlin and Kleist

The Odyssey reading group (in translation)

The Ancient World

Discovering Archaeology: From Field to Finds Room

Philosophy as the Art of Living: Ancient and Modern Views

Classical Spectacular

Doing Art History

Foundation Scholars

The Romance of Architectural Classicism

Roderick Williams (baritone), Ben Costello (piano)

Shiry Rashkovsky viola recital

Intermediate Greek II

Intermediate Latin I

Intermediate Latin II

Classical singing workshop

Philharmonia Debates... What Makes a Classic? Part 2

Erso presents Debussy's Sarabande from Pour le piano, Maurice's Tableaux de Provence and Beethoven's Symphony no. 1