Technique Workshops: Stanislavski

From Audition to Film Set, Using Stanislavsky’s Method with Michael Bray

Scene Study

Spoken English for Actors: in-person

“Risky Acting” with Ed Woodall

MICHAEL CHEKHOV’S ACTING TECHNIQUE – THE ESSENTIALS IN TWELVE STEPS with SARAH KANE

Working Shakespeare’s Words with William Trotter

Method Acting Beginners

JOY AND SPONTANEITY: CHEKHOV’S THE BEAR – WITH ANDREA BROOKS

Double Bass Masterclass with Stanislau Anishchanka

RELEASING SHAKESPEARE with GREG HICKS: AN ENQUIRY

Clown Practice with Carlos Sandin

TDTWT Intensive V: Devising with Active Analysis

Daniel Benzenou: Act Without Acting

Acting Through Song with Vanessa Havell

Lalka (2026)

Encountering Viewpoints For Actors with Mandy Gordon

Monologue Workout: Saturdays

Catherine Harvey – Poetry and Performance – War Poetry

Junior Actors Company — Wac Arts Autumn 2026

“Point of View Is the Job” with Hassan al Rawas

The Cold Read Series – John Galsworthy with Fiona Branson

Rosalind Parker: Contact Improvisation for Actors

Kate Maravan’s Present Performance – Weekly Meisner & Movement Drop In

Catherine Harvey – Poetry and Performance – Festive Verse

SHAKESPEARE: FROM PAGE TO STAGE With Peter Searles

How to Avoid Mumbling with William Trotter

SPEECH CLINIC with Sarah Kane

Okonski

Meisner Technique Weekly

Shakespeare Through Physical Characterisation Techniques with Ariella Eshed

Acting American with Georgia Goodman

CLOWNING SKILLS AND TECHNIQUE FOR ACTORS with Jeremy Stockwell

STEINER SPEECH FOR STAGE AND SCREEN – CONTEMPORARY TEXTS with Sarah Kane

Actor, Character and Presence with Ariella Eshed

A Professional Victim

Meisner with Text led by Kate Maravan

Working Actor Practice

Bringing Text to Life with Barbara Houseman

Stalker (1980)